Search results for " Donizetti"
showing 8 items of 8 documents
La Lucrècia Borja de ficció en el drama d’Hugo i els seus derivats
2015
Resum: El drama Lucrece Borgia de Victor Hugo confereix al personatge historic una serie d’atributs en sintonia amb el gust sensacionalista de l’epoca: en ser dona, poderosa, bella i formada. Lucrecia Borja es el millor exemple d’allo que Kristeva anomena «l’abjecte» en les Pouvoirs de l’horreur (1980). Una imatge de femme fatale lligada al veri o l’incest que es popularitzara gracies a les nombroses obres derivades del drama: de l’opera de Donizetti als romancos populars de manera que les caracteristiques del personatge de ficcio s’imposaran a l’historic en l’imaginari col·lectiu. Lucrecia Borja, que fins aleshores havia estat considerada un instrument al servei de les politiques familiars…
La "francesità" della "Fille du régiment
2021
L'articolo inserisce "La fille du régiment" di Donizetti nel contesto della sua prima creazione, individuando le componenti che contribuiscono a farne un'opera spiccatamente francese.
Una nuova fonte per "Gemma di Vergy". La revisione d'autore per il Théâtre-Italien (1845)
2021
Staged at La Scala in Milan in 1834 and then on countless Italian and European stages, Gemma di Vergy was performed the first time in Paris in 1845 at the Théâtre-Italien, in a version specially reworked by Donizetti (the last work he completed before his death). Long considered lost, the score prepared on that occasion by the composer has re-emerged among the collections of the Bibliothèque nationale de France - Département de la Musique. The essay describes the new source, reconstructs the genesis of the revision and examines the author’s variants. The latter are responsive to two main requirements: on the one hand, adapting the musical text to contingent interpretive needs, and more spec…
The "Frenchness" of "La fille du régiment"
2021
The article inserts Donizetti's "La fille du régiment" in the context of his first creation, identifying the components that contribute to making it a distinctly French opera.
"Operettizzare" Donizetti: il caso della "Figlia del reggimento"
On the basis of wide-ranging statistical surveys, recent pioneering studies on operetta in Italy of the second half of the 19th century have shown that the repertoire of the tour companies involved in the diffusion process of the genre built their repertoires drawing on two main sources: from one side, operettas imported from France performed in the original language or, more frequently, translated; on the other hand, new operettas composed in Italian by Italian composers (De Lucca, 2019; Oliva, 2020). Less known is the fact that sometimes they also appeared on the billboards of operetta companies titles of the Italian comic opera repertoire of the more or less recent past. This re-contextu…
"Panem et circenses". Teatri e pubblici di Parigi al tempo di Donizetti
2019
L'articolo offre una panoramica sui teatri parigini negli anni Quaranta dell'Ottocento, descrivendone funzioni, repertori, pubblici.
Panem et circenses. Theaters and publics in Paris at the time of Donizetti
2019
The article offers a panorama of the Paris theaters in the 1840s, focusing on the institutional organization, repertoires, audiences.
Trapianti napoletani: "La figlia del reggimento" al Teatro Nuovo (1841)
The paper reflects on the linguistic, theatrical and musical characteristics of the version of Donizetti's "La figlia del reggimento" staged at the "Teatro Nuovo" in Naples in 1841.